Mash-Up Monday: Till Our Planet Dies

 

Hiroyuki Sawano is a brilliant composer, there’s no two cents (or pence?) about it. Without you knowing, you might’ve already listened to some of his work if you’re an avid anime watcher: Blue Exorcist, Attack on Titan, and Kill la Kill are among a number of shows he had scored. Recently, he has even lent his talents for a little Monolith Soft-developed game called Xenoblade Chronicles X, which is hitting the West in early December!

However, to one man, he felt that Sawano’s music was missing something, some sort of spark… say, a dash of blue.

So he went and combined some Sonic music with it and called it a day!

All kidding aside, Triple-Q has done an amazing job in combining the vocal track “Till I Die” from Kill la Kill, composition by Sawano with lyrics by cAnON and vocals by CASG, with a small selection of Sonic music from recent games. From Sonic Colours comes the Area and Act 1 themes of Planet Wisp, by Mariko Nanba and Kenichi Tokoi respectively, with a later transition into Tomoya Ohtani’s “Sea Bottom Segue” from Sonic Lost World.

The end result is absolutely nothing short of spectacular, because “Till Our Planet Dies” sounds like pure magic to the ears. Give it a listen yourself!

If you’ve liked what you’ve heard, you can check out Triple-Q’s library of mash-ups on his YouTube channel, which includes other Sonic-themed mashups that we have featured in the past: “Pull Over (That Metal Too Fast)“, “Knuckles Gets It Started In Here“, and “Green Panty Zone“! You can also download the collaborative KLK tribute album organized by Triple-Q, Cut, Paste and Kill, which is full of wonderful mash-ups just like this one. Click here for more details!

Found any other interesting Sonic music mashups out there on the web? Maybe you have one of your own you’d like to share? If so, then you can post some in the comments below (as well as your thoughts on Triple-Q’s mash-up above!), or you can reach me over the following to see your choice next Monday:

Have a good week, everybody!

Sonic Generations Sound Team Questions and Answers!

Three months ago, the community team down at SEGA gathered questions for the musical talents behind the 20th Anniversary title Sonic Generations. As many as 300 questions were submitted by eager fans, spanning from the composers and arrangers’ personal favourite tracks as well as what other songs from Sonic’s history they would’ve liked to tackle.

Today, these questions have been answered by a majority of the Generations sound team. To see what questions Jun Senoue, Tomoya Ohtani, Kenichi Tokoi, and Alex Makhlouf have answered, their replies are available in full at the SEGA Blog, as well as Original Sound Version.

Japanese Sonic Channel Interview with Sonic Colors Sound Team

As yesterday marked the release of the Sonic Colors official soundtrack CD Vivid Sound X Hybrid Colors, the SEGA of Japan Sonic the Hedgehog site Sonic Channel interviewed composer Kenichi Tokoi (who previously composed for Mario and Sonic at the Winter Olympic Games and Sonic and the Secret Rings) and producer Tomoya Ohtani (Who composed for soundtracks such as Sonic World Adventure and Sonic Rush Adventure) with regards to their involvement with the soundtrack.

Although the interview was conducted in Japanese, we’ve picked out some interesting topics discussed! Tokoi and Ohtani first discuss how the title of the album came about; vivid was deemed a lively term and reflected the nature of the game well, with the word hybrid uniting the liveliness of the game with the music. Because of the mix of synthesised music, autotuned vocals and orchestral music, the term hybrid was also thought to also reinforce the nature of the diversity of music on the soundtrack.

Tokoi and Ohtani also comment on differences to composing the soundtrack compared to Sonic World adventure (or Sonic Unleashed), whereby the music in the game did not change for the stage, where as now every act on the Wii version of the game has a different tune. Thetr is also discussion of the similarities and differences between the title track “Reach for the Stars” and that for Sonic World Adventure “Endless Possibilities”, and how they feel variation of lead singers for the title tracks is beneficial.

The pair go on to talk at great extent about the inspirations and vibes considered when composing for varying levels; for example the twangy guitar was thought to capture the subtle hilarity of Sweet Mountain being an armoury masquerading as a confectionary factory. Heavy guitars were employed for the fast pace of the Asteroid Coaster, and the darker themes were used to convey the feel for the Terminal Velocity stages. Both composers also enjoyed creating the 8-bit versions of the tracks used during the virtual stages!

They interestingly also discuss how they feel they have not deviated much from the framework of most sonic Sonic soundtracks, but hope fans appreciate the more pop-themed opening tunes rather than feeling betrayed by the decision to have Cash Cash perform.

You can check out the full interview with pictures on the Sonic Channel Page.

If you haven’t ordered your copy of Vivid Sounds X Hybrid Colors, you can purchase this now from CD-Japan for ¥4200 (about $47 USD or £32 GBP).

Sonic Music Artist Roundtable On True Colours Album

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I think one of my all time top ten fantasies (after the one where I’m trapped in an elevator with Tia Carerre) would be to sit around a table with some of the musical geniuses who have worked on Sonic music past and present. Well, to commemorate the launch of the second best of Sonic the Hedgehog album “True Colours”, The big names in the Sonic music Universe, namely Tomoya Ohtani, Hataya Hisashi, Jun Senoue and Kenichi Tokoi gathered to reflect on some of their masterpieces from the past….

Continue reading Sonic Music Artist Roundtable On True Colours Album

Pick up the Pieces: Sonic World Adventure OST Out Today!

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Tasty Gatefold Artwork!

Whether or not you’ve decided that Sonic Unleashed is a good game or not, you’ve probably heard a handful of tunes that have got your feet tapping as you blast through levels at break-neck speeds or smack goofy enemies with your Wolfy pimping-hands. So for those of you who are bonkers for Sonic soundtracks, you can rejoice in the knowledge the Sonic World Adventure: Planetary Pieces Official Soundtrack has been released today.

Once again, the usual suspects Tomoya Ohtani, Kenichi Tokoi, Fumie Kumatani & Hideaki Kobayashi have teamed up to create another monstrous album containing a comprehensive collection of all the tracks from the game. The staggering 91 track list includes the rather sexual Werehog Battle music, Jaret Reddick’s “Endless Possibility”, several versions of the game’s theme, and the pleasant “Dear My Friend” from the ending titles. Not only that, the presentation of the box is of the usual incredible standard (there’s a CD with Chip on it!)

You can check out the track listing over at the Video Game Music Data Base, and if you’ve got some coins to spare you can buy yourself a copy from Play Asia or CD Japan for about 4200 Yen...a bit steep at around £31 ($45 – and don’t forget you’ll have to pay for International Postage on top of that), but well worth it if you’re as mad as me for these soundtracks!

Sonic Adventure 2 Composers Speak Out!

Video game and anime reporting site Rocketbaby has conducted interviews with four SEGA composers who worked on the soundtrack to Sonic Adventure 2! Jun Senoue, Kenichi Tokoi, Fumie Kumatani and Tomoya Ohtani all speak out about their experiences working on the game as well as their careers in general. Read on for Jun Senoue’s interview; the rest are linked below.
Continue reading Sonic Adventure 2 Composers Speak Out!