For those of you in attendance at Summer of Sonic this year, you’ll all remember the first question I posed to Jun in the Q&A session regarded Crush 40 songs on Rock Band Network. Some of you may also remember a little while ago that Ozone Entertainment had mentioned via many sources that they would be bringing a selection of classic Crush 40 tracks to RBN. You will probably also remember that after these announcements were made we heard nothing more.
Now, in an article by the Examiner.com, Owen Douglass, owner of Ozone, speaks about about what happened. According to Douglass, things had been going well with the organisation and he was in contact with Jun Senoue; three tracks had been chosen (Live & Learn, Open Your Heart and Knight of the Wind). Apparently a snag had been hit when it came to distribution rights, as these are owned by Wavemaster entertainment. In the wake of this, several comments were made on Douglass’ Twitter regarding unprofessionalism on Sega and Senoue’s behalf, with the comment that “Sega has their heads up their asses.”
Douglass claims that these comments were made due to a complete cut-off in communication with SEGA and Senoue, and that he was frustrated in the fact that so many fans were requesting Crush 40 tracks for RBN, and there was nothing he could do about it.
“No, I really don’t (feel that I mishandled the situation). When youdisrespectfully leave a potential business partner who is trying tobenefit you more than themselves (they wanted all the profits from thesales of the tracks, I wouldn’t have made a single penny) waiting forhalf a year with no explanation or contact at all, I believe I have theright to be ticked off. It was at the half year mark I publicly gave upon them. The reason I held on for the second half of the year wasbecause of the fans. They wanted the music in the game, I didn’t careanymore. I had ill feelings about Sega and all involved, but I’d swallowit for the sake of getting the deal done.
Yeah, in a previous article you quoted me saying that Sega has‘their heads up their asses.’ I stand behind that statement 100%. That’show I feel, and if it hurt the feelings of a multi-billion dollarcompany, that’s their fault for making business choices based on that. Iwill always put my personal feelings aside for the sake of making dealsto give the public what they want. That’s the only reason I’ve stilltried to get the situation figured out all this time. And it’s why I’mrelieved this is over and now off my shoulders. Now I can go and workwith people who actually care about what we’re working on.”
It also transpires that since then Douglass’ statements SEGA have made it clear that they have no interest in working with Douglass or Ozone after these comments, to which Douglass responded:
“And now finally they claim they were hurt by what I said and don’t wantto work with me. Which is great, because the feeling is mutual. Theywasted my time, and I feel they just don’t care what the public wants. Why do you think they haven’t made the a good Sonic game in over adecade, despite their very vocal fanbase continually laying out anear-perfect blueprint? I don’t know, that’s just my opinion. I bet I’llget another email from them. Or maybe a letter soaked with their tears.But probably not, since I’m not even worth 2 seconds of their time.”
Douglass released this final statement after the publishing of the examiner.com article:
Over the past couple days there’s been a whirl ofcontroversy thatsurrounded Ozone Entertainment. It stems from anarticle in which I wasquoted giving out details regarding contactingan artist for involvementin the Rock Band Network. I would prefer notto link to it here, but Iwould like to address this here.
Ozone Entertainment has never used conventional methods in ouroperations. As you may know, I am very open regarding what I do to thepublic. This is because I believe this builds trust between theconsumers and the company, and eliminates any fears of shady practicesand deceit.
Unfortunately, a year-long frustration on my part directed myanswers tothe questions posed in the article. Looking back, I may havecrossedsome lines and I apolgize to Martin [webmaster of junsenoue.com – T] and Jun personally. I didnot intendto offend you personally by any comments made.
However, I do not take back the main focus of the article. Thesituationwas handled poorly with a lack of communication and I knewthispartnership would not work out six months ago. I never signed anon-disclosure agreement when entering talks, so I believe there isnothing wrong with sharing any details now that the deal is officiallyclosed.
I have also received comments personally attacking me. To thosepeople,that is your opinion and I respect your right to say it. Justknow thateven if I am a horrible as you make me out to be, I willcontinue toattempt to entertain you and provide people with qualityproducts andservices to the best of my ability. If I fail, as I havedone here andlikely will again many more times, I will simply get upand try again.
Thank you very much for your time, and I hope you guys continue toenjoyat least some of the things Ozone Entertainment produces.
So, although it looks like there won’t be any Crush 40 tracks released through Ozone, it does not rule out the possibility that there may be tracks released on the Rock Band Network sometime in the future through another publisher.
To read the full article on the examiner.com follow this link.
If you didn’t catch the Q&A session at Summer of Sonic, watch it here!
So, do you have an opinion on these matters? Sound off in the comments section!
